Proxy Proxy Museum is not a brand, nor a gallery, but a living index.
It operates where art, culture, and technology collapse — a practice dissolved of walls and permanence. Each work is both artifact and apparition.

The museum functions as an index of simulacra, generated through the recomposition of trained data. Code becomes image. Memory becomes sequence. What appears here is neither original nor copy, but residue — a recursion of forms already lost.

The archive stands as a branch in the lineage of museums, but stripped of stone and body. What remains is a live archive, self-expanding, self-erasing, calling you deeper into the machine’s web.